Paternalistic “feminism”

RT @(redacted): Most girls that I know or have met look prettier without makeup. Just sayin’, ladies…

I understand that tweet was well intentioned, but it may as well have read:

HEY LADIES MY SENSE OF AESTHETICS HAS RESULTED IN A NEW DICTUM FOR YOUR APPEARANCE

Hey guys, how about we stop assuming that women’s looks are our business? Let’s acknowledge women’s liberty to act according to their personal tastes, eh?

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Thoughts on Apple Post-WWDC 2010

It’s half an hour before Steve Jobs’ keynote on a brisk Monday morning in San Francisco. The line of people anxious to see the latest Apple products wraps around a city block, the excitement driven partly because these products now provide a lifeline and an income source to thousands of independent developers, and partly from a particularly potent brand of raw consumer lust which is seemingly unique to Apple’s brand and its products. The cult of mac is so strong that there is even an Apple-specific dating site which, despite a cheesy name and an ostensibly idiotic premise (Apple-love as a positive bias for mating-pool selection is about as effective for cutting groups of 20– and 30-somethings as finding people who like fun, or ice-cream [although finding people who dislike ice-cream might be useful for pairing vegans and the lactose-intolerant.]) seems poised to succeed at least in terms of community if not profit (the revenue-model is as yet unannounced). I’m near the back of the line and, although I could cut, there’s a chance I’d still be stuck watching Jobs on a screen in the room designated for overflow and I decide that cutting would not be worth the karma hit. Protestors are standing out front contesting the working conditions in Apple’s factories in China. An unstylish man tries to push magazines on the people in line, asserting that “[we’re] last so we may as well get something for free, right?” I disagree with his premise that ‘something’ inherently has more value than ‘nothing’ and refuse the publication. Resulting from the ban on booth-babes (n. a typically scantily-clad sales-woman focusing more on good-looks than sales-technique or product-knowledge) were small groups of jacketed late-30s women handing out fliers for a free iPhone game. “Have you played our free game?” “You mean Face Fucker Four?” She walked to the next eligible target in line, a couple standing in front of us. She waved her partner to ambush them with a video camera. “What do you think of Face Fighter Gold?” “I don’t know, I haven’t played it, uh, it has a nice flier, I guess.” Locals ask what the line is for. A smartass wearing a good impression of a New York ad exec, Prada narrow half-rim glasses and expensive Neiman Marcus jeans cut for a man, styled for a teenager, rejoindered, “Starbucks. This is the line for Starbucks. We’re fuckin’ thirsty.” He makes small-talk with people around him in line before exerting much energy engaging a short, geeky fellow. The geek says he’s here as a GM contractor and it’s part of the job, feigning that he’s too cool to be here. “But I’ve got so many jobs I can’t even take them all, so I’m trying to find smart people. I give 99% to you, I keep 1%.” It’s obvious: this guy doesn’t code. As we wrap around the building and approach the entrance, I spot the camera lady shooting a video of a Face Fighter flier that had been stomped into the concrete.

I file into the back of the overflow room as Steve Jobs begins his keynote. I’m jaded. I’m here to learn how to make things, not to hear about things I can buy. Steve starts talking and I find myself immediately engaged. It’s because Steve cares. He has money. He has other projects. He could quit at any moment and retain his Silicon Valley badass status. Yet he stays. He cares. It shows. There are some bits of horseshit — a claim that the AppStore is the most vibrant application platform in the world, a claim that is true only with many qualifications — and a maudlin advertisement for FaceTime on the RetinaDisplay featuring a deaf pregnant soon-to-be mother signing to a soldier on deployment. Nevertheless I found myself stomping my feet in excitement and salivating for the next iteration of the iPhone, and it was largely due to the inclusion of a videocamera and on-phone video editing. I left the auditorium with a profound belief that this new product solved every communications and media problem that humanity could possibly face. Hell, with its glass case, when held to a window, it can even make rainbows.

Apple – Steve – sells a dream. Although Apple, yes, likes money, and will gladly make money on endless passive consumption, they never lost their vision of how computer can be used to aid creation and experssion and experience. Frustrations with linux, its community in particular, drove me ambivalently towards the Mac platform just because it worked, but I was sold on Apple in early 2008. It was an anniversary with a beloved (now ex-) girlfriend. We’d gone out in the morning for a walk around Boston, visited an aquarium, and shared a cappuccino before heading home. I remember only snippets of the day. When we got home, I plugged my camera into my computer and started uploading the photos from the day. Meanwhile the girlfriend and I made a playlist of our favorite music to listen to while we cooked dinner together. Then it hit me: with the photos in iLife and the playlist in iTunes, we could have a slideshow with music to recap our day. We started prepping our dinner. As we washed greens, cut carrots and onions, and made dressing for our salads, we stole glances at the Mac. By the time the salad was served we scrapped the rest of our dinner plans, shoved an organic vegetarian local-grown frozen pizza in the oven and cuddled on the couch.

And with the iPhone 4, I imagine myself having a day out with a friend making ad-hoc movies and editing them into something vaguely watchable, at least for us, on the train ride home.

This is narcissism, yes, but it’s valuable. This is how we remember our lives and our world.

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Videogame Mashup: Pong Invaders

A recent class assignment involved creating a two-player game. I liked the idea of videogame mashups (a friend made Joust Pong) and wanted to experiment with the idea of different rulesets per player, thus Pong Invaders was born, a game where one player controls the space invaders while another player controls the iconic pong paddle in a grand badminton battle involving kamikaze aliens and lasers. Read More »

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Announcing Kohei

Kohei is a collaboration between Jonathan Beilin, Mike Mai, and a women’s group in Tanzania to ethically produce hip American streetwear using traditional batik fabric and patterns. Profits are kicked back to the women’s group to fund local businesses. Launching this summer in Boston. Currently seeking stockists and investors to increase our store presence. Read More »

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Beautiful Bastard

Beautiful Bastard takes a cue from the rise of independent music during the 80s and 90s and from self-replicating third-place projects like The Awesome Foundation to bolster writing culture. Each Beautiful Bastard is a local group of authors who meet each week to conduct a lesson and to critique a member’s latest writing. After each member has given two lessons and received two critiques, an appointed editor will compile, copy-edit, and print a journal of the group’s work. Our goal is to build a website that will house lesson plans for several cycles of workshops, an InDesign template for the journal, as well as a wiki exploring the best options for local self-publishing. These materials lower the overhead necessary for spawning another structured workshop either online or at the local level.

We currently have one chapter active in Boston, MA.

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ShitPaint beta release

SHITPAINT BETA

Python script + Processing sketch to paint with a palette of Google Image Search results in the primary colors as well as some shades and some neons. More documentation included with the bundle. Low-fi/digital-punk/whatever.

Thanks to Catherine Musinsky, Times New Viking, and Mafia-Hunt for inspiration.

Download ShitPaint beta

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E-mail Poetry

This piece was sculpted out of a long email thread I had with a close friend.

>                 reveals
>                 >         >                 >         >         >
>                 >
>                 >         itself as
>                 >         >                 futile and you have no
>                 >         >                 >         idea why
>                 >         >                 >         >         you’re
>                 >         >                 >         >         >
>                 sitting there
>                 >         >                 >         >         >
>                 >         with
>                 >
>
>
>
> –

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DJambalaya introduction

Last year, I began planning a spatial multimedia organization, visualization, and annotation environment with my roommate Cole Krumbholz. It would be useful for everything from spatially arranging various notes and images while writing an article to creating collages to readily navigating through files of similar type. We had mockups and specs written when we realized that this was a huge project and we weren’t sure when either one of us would have the time to devote to such an undertaking. Rather than kill the project, we decided to break it down into smaller pieces, each of which could be sold as shareware to finance further development.

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On Alan Kay’s Technological Determinism

The best way to predict the future is to invent it.” — Alan Kay

Alan Kay’s famous phrase reads as inspirational. I support the spirit of it entirely as it accords with the American spirit, the hacker ethos, the do-it-yourself revolutionary philosophy. It’s comforting and empowering to think that all it takes is some elbow-grease and ingenuity to make a difference, shape society, right wrongs. And although I certainly don’t intend to discourage cultural participation, I find troublesome implications in that statement.

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On Hysterical Realism

As I progress writing my novel, I find that my writing undeniably employs the devices used by the hysterical realists. This comes as no surprise given my literary preferences, yet it is a trait I must acknowledge nonetheless. I will now take a moment to congratulate myself for being sufficiently mature to admit that I am not forging a new school of literature with my first, amateur bit of writing. I am also unable to restrain my analytical impulses, so I’ve spent some time trying to analyze the meaning and constituent elements of hysterical realism and the hysterical realists. I’ve also developed some concerns regarding the implications of the usage of these devices.
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